UK Independent Television Production Market Development

1. EXECUTIVE SUMMARY

2. INTRODUCTION

2.1 Definitions

2.2 Methodology

2.3 Abbreviations

2.4 Economic Overview

2.5 Market Positioning

2.5.1 Customers

2.5.2 Suppliers

2.6 Market Factors

2.6.1 Social

2.6.2 Technological

2.6.3 Economic

2.6.4 Legislative

3. MARKET SIZE AND TRENDS

3.1 Chapter Summary

3.2 Market Size

3.3 Market Segmentation

3.3.1 By Programming Expenditure

3.3.2 By Genre

3.4 Market Trends

3.4.1 Audience Fragmentation

3.4.2 TV Programming

4. INDUSTRY STRUCTURE

4.1 Chapter Summary

4.2 Industry Overview

4.3 Company Profiles

4.3.1 All 3 Media

4.3.2 Celador Productions

4.3.3 Endemol UK

4.3.4 HIT Entertainment

4.3.5 The Television Corporation/Tinopolis

4.3.6 IMG Media

4.3.7 Tiger Aspect Productions

4.3.8 RDF Media Group

5. FORECAST

5.1 Chapter Summary

5.2 Market Size

5.3 Industry Structure

6. FURTHER SOURCES & CONTACTS

6.1 Trade Associations

6.2 Trade Magazines

6.3 Other Publications

6.4 Trade Exhibitions

List of Tables

1: Television Households in the UK, 2003-2007

2: TV Viewership in UK Households, 2002-2006

3: UK Independent TV Production Market, 2003-2007

4: Value of Original Commissions Produced by the BBC, ITV and Independent Producers, 2006

5: Independent Production as a Proportion of Total ‘Qualifying’ Network Spend, 1998-2006

6: Independent Productions As A Proportion of Total Qualifying Network Spend, by PSB, 2006

7: Sources of UK Television Revenue by the Independent Production Sector, 2006

8: Network Programme Costs, by Channel, 2005 & 2006

9: Total & First-Run Originated Hours of Output, by Major Channel, 2006

10: Qualifying Hours Commissioned From Independent Producers, 2006

11: Summary of Intervention in the Production Sector

12: Channel 4 Expenditure on Programming and Duration of Broadcasting per year, 2005 and 2006

13: Channel 4 Expenditure on Programming and Duration of Broadcasting per year, By Type of Programme, 2005 and 2006

14: Channel 4 Principle Licence Requirements and Specific Programme Obligations, 2005 and 2006

15: BBC Creative Spend on Independent Programme Productions, 2002/03-2006/07

16: BBC Television Hours of Output By Origin, 2006/07

17: Percentage of Qualifying Hours Commissioned from Independent Producers by Genre, 2006

18: Overall TV Viewership in UK Households, 2002-2006

19: Production Quotas per Calender Year for Terrestrial Analogue Channels

20: Percentage of Qualifying Hours Commissioned from Independent Producers, by Channel, 2006

21: Independent Commissions by Size of Producer Revenue, 2006

22: Financial Analysis of All 3 Media Group, 2002-2006

23: Key Financial Ratios for All 3 Media Group, 2004-2006

24: Financial Analysis of Celador Productions, 2002-2006

25: Key Financial Ratios for Celador Productions, 2002-2006

26: Financial Analysis of Endemol UK, 2002-2006

27: Key Financial Ratios for Endemol UK, 2002-2006

28: Financial Analysis of Hit Entertainment, 2002-2006

29: Key Financial Ratios for Hit Entertainment, 2002-2006

30: Financial Analysis of The Television Corporation, 2001-2005

31: Key Financial Ratios for The Television Corporation, 2001-2005

32: Financial Analysis of Tinopolis, 2005 and 2006

33: Key Financial Ratios for Tinopolis, 2005 and 2006

34: Financial Analysis of IMG Media, 2002-2005

35: Key Financial Ratios for IMG Media, 2002-2005

36: Financial Analysis of Tiger Aspect Productions, 2002-2006

37: Key Financial Ratios for Tiger Aspect Productions, 2002-2006

38: Financial Analysis of RDF Media Group, 2003-2007

39: Key Financial Ratios for RDF Media, 2003-2007

40: Forecast UK Market for Independent TV Production, 2008-2012

List of Diagrams

1: Forecast Development of the UK Market for Independent TV Production, 2003-2012